TURANDOT

Final Design Painting TURANDOT - Act II, Scene 2

A number of you have asked me about my days as a Set Designer and so I thought I'd post a few things.

For my thesis at Yale, where I was getting my MFA, I chose to design Giacomo Puccini's opera TURANDOT. Some of my fellow students thought I was a bit fool-hardy to choose an opera set in China when the head of the design department was the highly respected Chinese/American Set Designer, Ming Cho Lee. Luckily he was pleased with my design and I got my MFA. Oh, I did get into trouble on ONE little thing. The Emperor's hat (in the costume sketch) is from the wrong period based on most of my architecture. I told Ming I'd change the hat.

Below are presented various steps in the design process. The "thesis" design had to include paintings, a 1/4" scale model, full architectural drafting, lighting sketches, and costume designs. We also had to design the set as if for a "real" opera house - so I chose the MET. I also used this project for my "union exam."

Below you will see the initial watercolor sketch for each set followed by a photograph of the 1/4" scale model. For reference a person is only one and a half inches tall.

I began months before by absorbing every note of TURANDOT via CD. I also read everything about the opera that I could. I wanted simple and elegant - not over-the-top Zefferelli. I chose a red-lacquer motif for almost everything. I started out doing quick paintings of the big moment in each act.

First watercolor sketch TURANDOT - Act I


1/4" scale model of TURANDOT - Act I

Act II - scene 1 "Ping, Pang, Pong" trio
For the opening of Act II I wanted the "Ping, Pang, Pong," scene to be intimate and small. It's a lovely little lyrical scene and it contrasts wonderfully with the huge spectacle of the "In Questa Regia," and "Riddle" scenes of Act II - Scene 2. I set the little scene in a small red-lacquered room - just the size for the three-person scene.

First watercolor sketch TURANDOT - Act II, Scene 1

Act II - scene 2 "In Questa Reggia," and "Riddle" scene.
As the first scene ended the little red room appeared to slowly shrink into blackness and just as it completely disappeared it reopened with the the big fanfare of scene 2 revealing the great staircase, emperor, et al.

1/4" scale model of TURANDOT - Act II, Scene 2

Act III - scene 1 "Nessun Dorma" and "Death of Liu" scenes.
A fairly barren scene with the unknown Prince out in the Gardens while he is cajoled, bribed, and threatened into revealing his name. I also like his appearing small and lonely and a little vulnerable among the giant statuary. Often the chorus would enter from upstage as if the garden was at the top of a terrace.

First watercolor sketch TURANDOT - Act III, Scene 1


1/4" scale model of TURANDOT - Act III, Scene 1

Act III- scene 2 "Turandot Guesses Correctly" scene.
We revert to the Act II - Scene 2 set. As imaginary director I also opted to use the full-length Franco Alfano ending. It's wonderful AND it gives me another forty seconds of set change music.

Down below are my costume sketches of the main characters. As a set designer I was not required to go beyond the "sketch" stage for this project.

I hope you've enjoyed this glimpse into David's designing days. Iif the MET calls, I'm their boy! Actually, if ANYBODY calls I'm their boy! If you have any questions about the project, please feel free to ask in the comments section and I'll try to oblige. Thanks for looking.

David

All images, photos, and designs copyright © 2007 by David Maxine. All rights reserved.